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What Does Issy Wood Eat In A Day?
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What two suits and a parrot say about modern art
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Issy Wood for King Kong 18
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A Painter Is Being Beaten: Freud and Kantarovsky
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Thank you, Francis! On “Francis Picabia: Femmes” at Michael Werner Gallery, New York
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Florian Krewer: “Everybody’s wearing a mask”
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Artist Florian Krewer on the Big Questions Powering His West Coast Debut
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Painter-musician Issy Wood on her singular, insular world
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Michael Werner Gallery and Milkweed Editions present first event in new literary and performing arts series
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Michael Werner Shakes up L.A. with Markus Lüpertz’s Orphic Bodies
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At the New Michael Werner Gallery in Beverly Hills, Two Painters in Conversation Across Time
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Michael Werner Gallery inaugurates Athens location with interiors by Mare Studio
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Raphaela Simon’s phantoms of pain
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Exhibitions not to be missed this summer: James Lee Byars and Seung-taek Lee
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Peter Saul for BLAU International
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Francis Picabia for MARFA Journal Issue 21
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Spotlight: In Venice, a Show Highlights the Common Themes of Two Disparate Artists
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Meeting of the Minds: James Lee Byars and Seung-taek Lee’s Art Convene for an Introspective Collateral Event in Venice
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An artist born in the 19th-century who anticipated Warhol by 20 years
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Francis Picabia: Women: Works on Paper 1902-1950
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SALON STYLE: Hurvin Anderson imagines the barbershop
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Michael Werner Gallery Expands Into Los Angeles and Athens
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Michael Werner Gallery to open Los Angeles branch
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Michael Werner Gallery to Expand to Los Angeles, with an Aim to ‘Fit the Layers of Culture That Are Specific to LA’
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Michael Werner to open in Los Angeles and Athens
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Michael Werner Gallery to open new spaces in Los Angeles and Athens
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Artist Issy Wood Would Pull a ‘Bling Ring’ for Miranda Hobbes’s Gay-Coded Closet
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Florian Krewer: Swimming with crocodiles. A conversation by Lorenz Ecker
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PJ Harvey Reads Noted Cat Lover Captain Beefheart’s Poem About Her Cat
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Andy Robert: The painter turns to assemblage at Artists Space
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James Lee Byars: The Figure of Question is in the Room
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Don Van Vliet: Standing on One Hand
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Florian Krewer on Masculinity, Anxiety, and Desire
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‘He was treated like a holy figure’: why Captain Beefheart quit music for the easel
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Charlie Fox on the art of Captain Beefheart
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James Lee Byars and Seung-taek Lee
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Gaston Chaissac
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James Lee Byars Reaches for the Heavens
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James Lee Byars, Milan exhibition review — outsize ambitions in gold and glass
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Issy Wood’s Korean Debut
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Florian Krewer Compels Us to Love the Mess of Being Animals
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Florian Krewer - 'If you open yourself up, you can experience fantastic journeys.'
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Artist Enrico David: ‘It’s not a given you’re going to be relevant in your time’
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Hurvin Anderson’s Ode to Black Barbering
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In the Studio with Maki Na Kamura
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Hurvin Anderson: Salon Paintings
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For Hurvin Anderson, the Barbershop Is Haven and Inspiration
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Maki Na Kamura – interview: ‘People in the presence of my work can project their memories of all kinds of genres of bygone paintings’
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Shortcut to the Past: Hurvin Anderson: Salon Paintings, The Hepworth Wakefield
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Hurvin Anderson’s Salon Paintings at the Hepworth Wakefield are like modern barbershop Manets
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Hurvin Anderson: Salon Paintings review – bright, beautiful series brings barbershops to life
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Hurvin Anderson: barbershops magically transformed into high art
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Artist Hurvin Anderson: ‘I’m always nervous about the word identity. I try not to use it’
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Inua Ellams on the art of the barber shop confessional
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Artists Peter and Sally Saul Have Been One Another’s Muse for 50 Years
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In the studio with… Maki Na Kamura
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The Top 5 Shows to See in the UK
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The 18 Best Black Art Books of 2022
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An Inside Job
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The Top Ten Shows in the UK and Ireland in 2022
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Beyond Zombie Figuration
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Enter the ‘Interior’ World of the Subject
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Inside track – the artists who really know how to portray their subjects
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Soft Landing
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What to See in N.Y.C. Galleries Right Now
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Multidisciplinary Artist Issy Wood Creates as a Coping Mechanism
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Issy Wood’s Hypnotic Paintings Reveal the Darker Side of Femininity
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Issy Wood Met Power Players in Art and Music. She Went Her Own Way
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Artist and musician Issy Wood: ‘You can tell how happy someone is from their teeth’
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‘Just Do it’ : Artist Peter Saul Explains How He Keeps Making His Crazy Surrealist Paintings at the Age of 87
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‘Not to be rebellious would be really boring’ – an interview with Peter Saul
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Landscapes of the Anthropocene: Per Kirkeby
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Eugène Leroy: More is More
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Eugène Leroy: Oil Painting
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Per Kirkeby: Geological Messages – Paintings from 1965-2015
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The Materiality of Memory in the Paintings of Eugène Leroy
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Stick men, scrawls and all that jazz: how AR Penck made great art look simple
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Generational Talent: Peter Saul and Anna Park in Conversation
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Occasional Tiger Intervention, Florian Krewer
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Georg Baselitz interview: ‘I wanted to make nasty pictures – and I still do’
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Florian Krewer: ‘Painting allows me to show love and desire’
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Hurvin Anderson and Peter Doig on the Meaning of the Caribbean
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Florian Krewer
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Hurvin Anderson: ‘People came here for a better life, but I’m not sure they found it’
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3 Art Gallery Shows to See Right Now
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Peter Saul Doesn’t Want Any Advice
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From Canvas to Clothes: Peter Doig
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Peter Saul Hasn’t Run Out of New Subjects to Paint
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Enrico David, Gió Marconi
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Markus Lüpertz: Recent Paintings
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Sweetened with Beauty: An interview with Kai Althoff
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Kai Althoff goes with Bernard Leach
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Hurvin Anderson – interview: ‘I am looking at where things collide, how these things respond to each other’
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In the studio with… Hurvin Anderson
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When Dior met Peter Doig
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Hurvin Anderson: ‘I was the English boy in the Jamaican conversation’
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Studio Visit: German Artist Markus Lüpertz Is Painting Pictures of Arcadia and Drinking the Best Wine He Can Find
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The Swamp of Masculinity: Florian Krewer
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Provocateur meets potter - Kai Althoff Goes with Bernard Leach, Whitechapel Gallery, London
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In Defence of Discomfort: Kai Althoff’s First London Show is a Dreamscape
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The perfecting of a love? Kai Althoff goes with Bernard Leach
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Florian Krewer in Conversation with Parinaz Mogadassi
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Enrico David: Stop Making Sense
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FLORIAN KREWER: EYES ON FIRE
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Peter Saul, American Gadfly
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Kai Althoff Goes With Bernard Leach - Review
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Kai Althoff Goes With Bernard Leach - Review
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PETER SAUL: MURDER IN THE KITCHEN, EARLY WORKS
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GEORG BASELITZ: I WAS BORN INTO A DESTROYED ORDER
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MARKUS LÜPERTZ, PIERRE PUVIS DE CHAVANNES
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Georg Baselitz: master of obscenity and Bowie's inspiration
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Peter Saul, “Crime and Punishment”, The New Museum / New York
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A.R. PENCK BRONZES & FLORIAN KREWER PAINTINGS
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SIGMAR POLKE, FRANCIS PICABIA AND FRIENDS
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ABOUT THE HUMAN FIGURE
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THE HUMAN FIGURE
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I Am Never Bored with Painting: Peter Doig, Interview
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Per Kirkeby: In the Depths of Figuration
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World-renowned painter Peter Doig: ‘In the studio, anything can happen’
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Raphaela Simon
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The Wild, Anti-Authoritarian Art of Peter Saul
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Floating around on Planet Polke
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The In-Your-Face Paintings of Peter Saul
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DON VAN VLIET: PARAPLIERS THE WILLOW DIPPED, PAINTINGS 1967-1997
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A.R. Penck’s Homecoming
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Markus Lüpertz: Four To Three To Two
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The Endlessly Inventive Jörg Immendorff
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RAPHAELA SIMON: ERDBEEREN
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PER KIRKEBY: WORKS ON PAPER, WORKS IN BRICK
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Discover the German artist Raphaela Simon’s vibrant paintings and sculptures
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Peter Doig & Karl Ove Knausgård On Edvard Munch
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Peter Doig
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SIGMAR POLKE - OBJECTS: REAL AND IMAGINED
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‘A Great, Somewhat Unsung Master of Contemporary Painting’: Peter Saul to Have New Museum Survey in 2020
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PETER DOIG, PAINTINGS
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Peter Doig, Paintings, Michael Werner Gallery, review: a magnificent testament to an enchantingly quirky artist
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James Lee Byars At Michael Werner Gallery, New York
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JAMES LEE BYARS
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JAMES LEE BYARS: WORKS 1974-1994
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Florian Krewer
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SATOSHI KOJIMA: CHASTE AS ICE, PURE AS SNOW
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Neither else nor this: The challenge to the Labyrinth.
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Enrico David: Adult Toys
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MARKUS LÜPERTZ: DANS L'ATELIER
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FLORIAN KREWER: CAR PARK GODIVA
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Enrico David: Entering Art's Unknown
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Pierre Puvis de Chavannes: A French Painter, Fallen From Fame, Gains Historical Weight
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MARKUS LÜPERTZ: DANS L'ATELIER
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Pierre Puvis de Chavannes
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Jörg Immendorff
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Enrico David: Doing the Twist
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PIERRE PUVIS DE CHAVANNES: WORKS ON PAPER AND PAINTINGS
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JÖRG IMMENDORFF: QUESTIONS FROM A PAINTER WHO READS
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The last completed sculpture by Per Kirkeby finds a permanent home in Provence
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Enrico David explores the human condition through shape and form
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Artist Enrico David on why we should ‘befriend the darkness that lies beneath’
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Puvis de Chavannes
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PIERRE PUVIS DE CHAVANNES: WORKS ON PAPER AND PAINTINGS
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ENRICO DAVID
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Michael Werner: ‘I never accepted the fact that people scorned my artists’
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VILE BODIES
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VILE BODIES
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A.R. PENCK: PAINTINGS FROM THE 1980S AND MEMORIAL TO AN UNKNOWN EAST GERMAN SOLDIER
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FLORIAN KREWER: PINKFLAVOR
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MARKUS LÜPERTZ: TENT PAINTINGS, 1965
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IF ON A WINTER'S NIGHT A TRAVELER
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PER KIRKEBY: PAINTINGS AND BRONZES FROM THE 1980S
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These Trump Paintings Are a Highlight of the ADAA Fair
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A.R. PENCK: PAINTINGS FROM THE 1980S AND MEMORIAL TO AN UNKNOWN EAST GERMAN SOLDIER
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GEORG BASELITZ: 1977-1992
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Peter Doig and Michael Armitage: two beguiling London art shows
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PETER DOIG
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Peter Doig review – sun, sea and savagery in a troubled paradise
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Peter Doig: Somewhere Different
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Peter Doig
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GEORG BASELITZ: 1977-1992
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RAPHAELA SIMON: KARO
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Acts of Recognition
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Peter Doig
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Artists on Art: Aaron Curry on Pablo Picasso
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ENRICO DAVID
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Lisa Brice, Peter Doig, and Chris Ofili Bring Trinidad to New York
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PETER DOIG
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Don Van Vliet: Works on Paper
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Dithyrambs and Centaurs
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Don Van Vliet
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Tracing James Lee Byars’ time in Japan
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Per Kirkeby’s triumph of form over substance
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Peter Saul
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Markus Lüpertz: New Paintings
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Markus Lüpertz: a bull in the china shop of cultural history
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‘Markus Lüpertz: Threads of History’ and ‘Markus Lüpertz’ Reviews: Between the Abstract and the Concrete
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DON VAN VLIET: WORKS ON PAPER
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Poetic Licence: Isaac Julien and Peter Doig in Conversation
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Per Kirkeby: Paintings and Bronzes from the 1980s
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Is he or isn’t he an abstract painter? Two museums differ.
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‘People Are Too Stupid for Great Art’: Painter Markus Lüpertz on Why the Avant-Garde Will Always Fail
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PER KIRKEBY: PAINTINGS AND BRONZES FROM THE 1980S
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The Painter Prince: Markus Lüpertz
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MARKUS LÜPERTZ: NEW PAINTINGS
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JAMES LEE BYARS: THE AMERICAN FLAG
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JAMES LEE BYARS: THE GOLDEN TOWER
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Venice Biennale round-up: a rainbow thread of optimism
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James Lee Byars' The Golden Tower Finally Realised In Venice
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A.R. Penck obituary
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15 Satellite Shows You Need to See During the Venice Biennale
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Older artists prove age is no barrier
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Older artists on Tuner prize shortlist after it removes upper age limit
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No under-forties on the Turner Prize shortlist – and painting’s back
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The World of Painting
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Venice Biennale 2017: The Cultivist picks 7 spectacles not to miss Installations that play with space
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A ‘LIDL’ Early: An Exhibition of 1960s Jörg Immendorff Shows His Politically Engaged Art and Sense of Mischief
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Southern Sublime
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Peter Doig: We don’t always have to know what our painting is about
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Richard Oelze
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JÖRG IMMENDORFF: LIDL WORKS AND PERFORMANCES FROM THE 60S
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Georg Baselitz: 1977-1992
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GEORG BASELITZ: 1977-1992
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James Lee Byars Tower, 65 Feet Tall and Golden, Will Grace Venice During the Biennale
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Michael Werner to Receive Rank of Chevalier from France's Legion of Honor
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Peter Doig
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A Trinidadian Friendship: Derek Walcott and Peter Doig
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David Ebony’s Top 10 New York Gallery Shows This Winter
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Richard Oelze
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Scottish painter Peter Doig named the 2017 Whitechapel Gallery Art Icon
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RICHARD OELZE: 1900-1980
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Markus Lüpertz Gets First U.S. Retrospective
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Mixed Media: Matthew Sperling considers Derek Walcott's poetic response to Peter Doig's painting
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Trouble in Paradise
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SIGMAR POLKE: POUR PAINTINGS ON PAPER
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Culture Talk: British Painter Hurvin Anderson on Personal and Political Histories
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Kai Althoff: and then leave me to the common swifts (und dann überlasst mich den Mauerseglern)
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Sigmar Polke: Pour Paintings
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Sigmar Polke, London
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The Beauty of a Museum Show that Feels Not Quite Finished
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Kai Althoff
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Hurvin Anderson
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Derek Walcott and Peter Doig’s Double-Barreled Magic
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Francis Picabia: The Art 'Loser' Who Ended Up Winning it All
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RICHARD OELZE: 1900-1980
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Richard Oelze
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Richard Oelze
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Looking at the Career of an ‘Anti-Genius’
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HURVIN ANDERSON: FOREIGN BODY
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In New Work by British-Jamaican Artist Hurvin Anderson, the Personal is Political
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A.R. Penck
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Hurvin Anderson: Arts and Culture Director Diane Solway's musts for November
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Kai Althoff reveals the pain and the privilege of being an artist
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Peter Saul
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Peter Saul: Go into the mind of the father of Pop Art
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Aaron Curry at Michael Werner
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Peter Saul: the chocolate-smeared prankster of Pop painting
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Kai Althoff: and then leave me to the common swifts
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A.R. Penck
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Peter Saul Auction Record
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Habitat: Obsessions—A Look At Aaron Curry’s Guitars
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Aaron Curry
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Kai Althoff 's installation at MoMA gives remembrance a haunted cast
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PETER SAUL: SOME TERRIBLE PROBLEMS
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Bazaar Previews Enrico David's First Exhibition in the Middle East
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Francis Picabia, the Playboy Prankster of Modernism
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Peter Saul: Some Terrible Problems
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Markus Lüpertz: A Retrospective
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Aaron Curry on Intergalactic Orgies and His First Painting Show in New York
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Allen Jones Studio Visit
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Gianni Piacentino Studio Visit
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Hello Painting, My Old Friend: Why Sculptor Aaron Curry Is Rekindling His Romance With the Canvas
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Voices of a Waking Dream
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Hurvin Anderson
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A.R. Penck
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Robert Fletcher and Bartlow Gallery Ltd v. Peter Marryat Doig
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A.R. Penck
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August Gallery Shows in New York City
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AARON CURRY: HEADSPACE
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Pop artist Allen Jones explains his lifelong ‘obsession’ with the female form
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A Q&A with… Hurvin Anderson, painter
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Myth and magic: Michael Werner’s stellar summer show of modern masters
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Flora, Fauna and Other Forms of Life.
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FLORA, FAUNA AND OTHER FORMS OF LIFE
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S.M.A.K. Gallery in Belgium Celebrates Arte Povera
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A.R. Penck
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The top five New York art shows this week
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A.R. PENCK: EARLY WORKS
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Smuggled out of East Germany, now in New York
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The ‘consistently inconsistent’ Francis Picabia
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Jörg Immendorff
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The Politically Charged Performance Art of Jörg Immendorff
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A. R. Penck: Early Works
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Allen Jones
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Marcel Broodthaers
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Olivia Laing on Peter Doig’s "Echo Lake" 1998
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Allen Jones
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“Art is the only thing I take seriously”
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Hurvin Anderson presents scenes from neither here nor there at AGO
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Enrico David: Autoparent | A Weed is a Plant Out of Place
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JÖRG IMMENDORFF: LIDL WORKS AND PERFORMANCES FROM THE 60S AND LATE PAINTINGS AFTER HOGARTH
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Sigmar Polke, sarcastique alchimiste
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Per Kirkeby: Serial Thinking
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Unknown Pleasures
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In conversation with Allen Jones
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Marcel Broodthaers: A Retrospective
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Allen Jones Returns to New York
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Exalting the Maîtresse: An Interview with Allen Jones
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Maîtresse Project
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Artnet Asks: British Pop Pioneer Allen Jones on His First New York Solo Show in 40 Years
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Allen Jones Loves Women, But Can Women Love His Art?
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Infamous Pop Icon Allen Jones on His Career of Innovation, Controversy, and Redemption
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Poet, Printer, Prankster: Marcel Broodthaers in Retrospect
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Marcel Broodthaers: A Retrospective
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Marcel Broodthaers
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ALLEN JONES: A RETROSPECTIVE
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Only Abandoned: The Poetry of Marcel Broodthaers
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Marcel Broodthaers: Écriture
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Inside Art: Allen Jones at Werner
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MoMA Features the Unlikely Artist Who Mixed Politics and Poetry
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Marcel Broodthaers’s Fraught Relationship with Words
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Gianni Piacentino: Fondazione Prada
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Per Kirkeby
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Sunset Décor: Five Tableaux Leading From An Exhibition To A Film, And An Intermission
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Allen Jones: in the studio
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ALLEN JONES: MAÎTRESSE
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Marcel Broodthaers: A Retrospective
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Two New York Shows Examine Marcel Broodthaers’s Writing and Artist Books
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Breaking Down Broodthaers: Three Keys to Understanding His Essential MoMA Retrospective
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MoMA Gives Us the ‘Romantic-Realist’ Marcel Broodthaers That We Deserve
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‘Marcel Broodthaers,’ a Knot of Riddles in a MoMA Retrospective
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MoMA takes on Marcel Broodthaers, the artist who took on museums
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Markus Lüpertz: Bode-Museum
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Enrico David: The Hepworth, Wakefield
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MARCEL BROODTHAERS: ÉCRITURE
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In The Studio: Aaron Curry
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Lokomotive Lüpertz! Turps Banana in Conversation with Markus Lüpertz
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New York – Peter Doig At Michael Werner
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Gianni Piacentino: Fondazione Prada
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Peter Doig Discussing Sigmar Polke
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Peter Doig Paints Portals to Mythic Dimensions
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A.R. Penck: Early Works
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A.R. PENCK: EARLY WORKS
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The Best-Kept Secret In Italian Motorbikes? Artist Gianni Piacentino Zips Into The Fondazione Prada
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A.R. Penck, London
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Per Kirkeby Revels in Flamboyant Visuals and Dark Future at Windsor Gallery
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A.R. Penck, exhibition review: Disturbing portraits of oppression and fear
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Fashion News: Art Attack
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Review: Gianni Piacentino
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Shape-shifters: Enrico David's bizarre bodies
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Enrico David
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Enrico David's Sculpture Orgy
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PETER DOIG
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Fast and furiouso: Gianni Piacentino takes Fondazione Prada
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A Guided Preview of New Peter Doig Show by Peter Doig
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5 Question with Enrico David
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Review: Gianni Piacentino at Michael Werner, New York
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Enrico David; Lopped and Hewed
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BODY SHOP
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Review: Gianni Piacentino at Michael Werner, New York
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GIANNI PIACENTINO: WORKS 1965-2013
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Enrico David - Michael Werner Gallery
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James Lee Byars
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Markus Lüpertz, le prince des peintres
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Review: Peter Doig, Louisiana Museum of Modern Art
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Peter Doig: The Transformer
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JAMES LEE BYARS: THE POETIC CONCEIT AND OTHER WORKS
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JAMES LEE BYARS: THE DIAMOND FLOOR
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Why curators can't get enough of Marcel Broodthaers
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JAMES LEE BYARS: THE FIGURE OF DEATH AND THE MOON COLUMN
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In Conversation: Artist Peter Doig And Tate Director Nicholas Serota
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Dripping with quality
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Les satires à tiroirs de Jörg Immendorff à la Fondation Maeght
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Lions and badmen and other unexpected revelations at Peter Doig opening
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Markus Lüpertz: statue de l’art
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Marcel Broodthaers : l'œuvre loufoque d'un maître du pastiche
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Peter Doig: Memory Traces
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In the Frame: Gianni Piacentino
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Gianni Piacentino: Fast and Curious
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Markus Lüpertz: Powerful Expression
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GIANNI PIACENTINO. WORKS 1965-2006
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Sculptures et peintures en movement
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Markus Lüpertz’s First Retrospective in France at MAM Paris
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Lady’s Man
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Consecration. Markus Lüpertz: Retrospective at Musée d’art moderne de la Ville de Paris
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SIGMAR POLKE: SILVER PAINTINGS
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Markus Lüpertz: A Modern-Day Romantic Artist
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In conversation: Gianni Piacentino, Andrea Bellini, and Ashley Heath
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Peter Doig: Une histoire de l'art
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Peter Doig: Peinture
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Markus Lüpertz, VeneKlasen Werner / Berlin
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Aaron Curry: CADA continues the tradition of artist-made jewellery with contemporary creations
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Peter Doig at the Palazzetto Tito, Venice
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Peter Doig, Pigment of his Imagination
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A.R. Penck: Michael Werner at Independent
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Enrico David
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Peter Doig fait vibrer les couleurs des Caraïbes
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A.R. Penck: Between Light and Shadow
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SIGMAR POLKE: EARLY WORKS ON PAPER
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Magnetic Doig
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A.R. PENCK: BETWEEN LIGHT AND SHADOW
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Peter Doig en souvenir de Gauguin
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Review: Enrico David
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Kai Althoff: A Tension of Moods
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Review: Enrico David
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Kai Althoff
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‘Forever Now’ Is MoMA’s Market Moment
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Peter Doig, Fondation Beyeler
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Jörg Immendorff: ‘Café Deutschland’
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MICHAEL WILLIAMS: MORNING ZOO
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Unravelling the Pranks of Sigmar Polke
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ENRICO DAVID
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Jörg Immendorff: ‘Café Deutschland’
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At Frieze, a James Lee Byars Performance Strolls the Aisles
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Sigmar Polke: Alibis, Tate Modern, London
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Sigmar Polke at Tate Modern
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Review; Alibis: Sigmar Polke 1963 - 2010
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Sigmar Polke: A True Child of the Sixties
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Sigmar Polke: Bourgeois Baiting
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James Lee Byars
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Sigmar Polke: An Alchemist of Paint and Potatoes
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KAI ALTHOFF
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Sigmar Polke: A Contemporary Visionary. Interview with Peter Fischli
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Sigmar Polke: A Contemporary Visionary. Interview with Peter Doig
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JÖRG IMMENDORFF: CAFÉ DEUTSCHLAND
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Peter Doig: Early Works
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Sigmar Polke: Alibis, Museum of Modern Art, New York
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James Lee Byars at MoMA PS1 and Michael Werner
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Aaron Curry: CAPC musée d'art contemporain
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Enrico David, Figurative Forms
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James Lee Byars: The Mile-Long Paper Walk
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James Lee Byars: MoMA PS1
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James Lee Byars: Pure Pigments, Geometric Paintings, Gold Lamé
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James Lee Byars: 1/2 an Autobiography, MoMA PS1, New York
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The Provincialism of Sigmar Polke
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Sigmar Polke
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James Lee Byars: 1/2 an Autobiography
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Blog: Aaron Curry
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Aaron Curry
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James Lee Byars: The Man in the Gold Lamé Suit
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JAMES LEE BYARS: IS IS AND OTHER WORKS
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Aaron Curry: Painterly Awakening
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Aaron Curry: From Texas Kid to International Star
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AARON CURRY: PAINTINGS
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James Lee Byars: The Art of Inscrutability
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Peter Doig: The Early Works
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Peter Doig: Early Works
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Sigmar Polke: The uncategorizable breadth of Sigmar Polke’s work
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Arena Homme +: Interview with Markus Lüpertz
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Arena Homme +: Interview with Peter Doig
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He-Who-Must-Be-Named is Sigmar Polke!
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Sigmar Polke: Early Works on Paper at Michael Werner
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Shock Artist: A Sigmar Polke Retrospective
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Sigmar Polke: The Father of Reinvention
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Sigmar Polke: Found Everything, Tried Everything, All His Own Way
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Studio Check: Markus Lüpertz
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Sigmar Polke
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Sigmar Polke
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Polke: the dots joined up at last
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Exhibition Review: Peter Doig, Michael Werner Gallery
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PETER DOIG: EARLY WORKS
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Peter Doig: Early Works - 'A show all would-be artists should visit'
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Connecting Polke's Dots: MoMA Decodes the Work of a Tricky Postwar Master
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SIGMAR POLKE: EARLY WORKS ON PAPER
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In Review: Markus Lüpertz
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Review: Markus Lüpertz
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Peter Doig: Lunch with the FT
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Reflex of the Exile
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Aaron Curry: Hollywood Rats
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London: Marcel Broodthaers
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Exhibition Review: Peter Doig at Montreal Museum of Fine Arts
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Marcel Broodthaers: Décor: A Conquest and Bricks: 1966-1975
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In Graphic Detail: A generous donation of art from Germany
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MARKUS LÜPERTZ: PLAYERS BALL
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The world is Peter Doig's canvas
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A.R. Penck: Felt Works 1972-1995 at Michael Werner
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A.R. PENCK: FELT WORKS 1972-1995
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London exhibitions: Enrico David
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Review: Peter Doig
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Peter Doig, "Early Works"
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'Aaron Curry: Melt to Earth' at Lincoln Center
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Peter Doig's Burning Skies
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MARCEL BROODTHAERS: DÉCOR: A CONQUEST and BRICKS: 1966-1975
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PETER DOIG: EARLY WORKS
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Aaron Curry: Wild Things
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Aaron Curry: Self, Employed
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AARON CURRY: MELT TO EARTH
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Aaron Curry's Abstract Sculptures Go on Display
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Aaron Curry's Abstract Sculptures Go on Display
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Aaron Curry: Colorful Guests Around the Plaza. Lincoln Center Hosts 'Melt to Earth'
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ENRICO DAVID
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TUMESCENCE: PETER DOIG, SIGMAR POLKE, PETER SAUL, MICHAEL WILLIAMS
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Peter Doig: No Foreign Lands, Scottish National Gallery, Edinburgh, review
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Peter Doig: Places of Enchantment
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Peter Doig: A Flâneur in Fantasyland
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Interview: Peter Doig, painter, on his No Foreign Lands exhibition
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Treasured Island: Peter Doig at the Scottish National Gallery
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The Paintings of Peter Doig: Plumbing Depths
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Peter Doig: The Triumph of Painting
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Peter Doig: A Taste for the Tropics
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The colours of the Caribbean in a grey light
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Peter Doig: Stitching Bits of Memory Together
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'I do feel an outsider, but I'm Scottish,' says Peter Doig
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Stranger in his own Land
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Peter Doig: A good innings
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Peter Doig in Conversation with Daniel Kunitz
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Peter Doig: Dreaming in Color
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PER KIRKEBY: RECENT PAINTINGS
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The Perfect Love Letter To James Lee Byars
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Peter Doig: Memory Man
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A.R. Penck
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Back to his roots: Major Edinburgh show for Peter Doig
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Delving into Per Kirkeby's multilayered world at Bowdoin
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ELIZABETH PEYTON: KLARA 13 PICTURES
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Wilhelm Lehmbruck: Figures that carved a niche
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WILHELM LEHMBRUCK
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MARKUS LÜPERTZ: BOZZETTI FOR HERCULES
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A.R. Penck
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A.R. Penck
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Peter Doig
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Peter Doig: Continental Drifter
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A.R. Penck: Unfashionable Yet Visionary
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James Lee Byars
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Per Kirkeby: Elusive Geometry
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Visual art review: James Lee Byars
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James Lee Byars: Exhibition of the Week
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JAMES LEE BYARS: EARLY WORKS AND THE ANGEL
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A.R. PENCK: NEW PAINTINGS
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The Artist Whisperer
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Peter Doig: Refusing to Be Distracted by an Eight-Figure Deal
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Wilhelm Lehmbruck
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Per Kirkeby: Never Settle
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Critic's Pick: Peter Doig
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Ernst Wilhelm Nay
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James Lee Byars
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Michael Werner Gift to Musée d’Art Moderne in Paris Now on View
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New Paintings - Peter Doig
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EUGÈNE LEROY: NUDES
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Per Kirkeby turns the Phillips into a site of restless digging
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Peter Doig
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PETER DOIG
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Peter Doig: All about rarity value
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ERNST WILHELM NAY
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Peter Doig: The Outsider Comes Home
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JAMES LEE BYARS: THE MONUMENT TO CLEOPATRA
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Aaron Curry: Buzz Kill
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Enrico David (Michael Werner Gallery/New Museum)
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Aaron Curry: Buzz Kill
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AARON CURRY: BUZZ KILL
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Studio Check: Aaron Curry
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Wilhelm Lehmbruck: A Grand & Tender Artist
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ENRICO DAVID: NERVE ENDING
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Peter Doig: Interview
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Per Kirkeby at Michael Werner Gallery
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Enrico David's "Head Gas" at the New Museum's Studio 231
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Critic's Pick: Aaron Curry
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Francis Picabia: Late Paintings
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WILHELM LEHMBRUCK
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Francis Picabia: Postmodern Predictor
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Francis Picabia: Original Prankster
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Per Kirkeby
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FRANCIS PICABIA: LATE PAINTINGS
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Enrico David & Thomas Houseago: I'm Fucked Out of Your Mind
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Enrico David: Between Head and Tail
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Peter Doig: Homage to the 'Ring'
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PER KIRKEBY: NEW PAINTINGS
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Friedrich Schröder-Sonnenstern
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Enrico David: Dropping the Masks
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Thomas Houseago: Edinburgh untamed
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Thomas Houseago: Draw me a Sculpture
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FLOWERS FOR SUMMER
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Enrico David: Repertorio Ornamentale
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Thomas Houseago
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GEORG BASELITZ: THE EARLY SIXTIES
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Friedrich Schröder-Sonnenstern
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Artists to Watch: Thomas Houseago
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Friedrich Schröder-Sonnenstern: A Perverse Mind Populated by Devils, Snakes, and Buxom Nudes
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Hurvin Anderson
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Art Show: Hurvin Anderson
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Interview with Peter Doig
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Exhibition Review: Hurvin Anderson
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FRIEDRICH SCHRÖDER-SONNENSTERN: FROM BAREFOOT PROPHET TO AVANT-GARDE ARTIST
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Aaron Curry in Conversation
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Thomas Houseago: What Went Down
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Hurvin Anderson
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New Primitive: In the Studio with Thomas Houseago
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Artist of the week: Thomas Houseago
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HURVIN ANDERSON: SUBTITLES
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Sculptor Thomas Houseago's shape-shifting world
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Eugène Leroy
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MARKUS LÜPERTZ: PASTORAL THOUGHTS
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Figuratively Speaking: A Conversation with Thomas Houseago
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Marcel Broodthaers: Revival Section
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Artist puts Hercules, and Himself, on Pedestals
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MMNKTLPLKT. NEW WORKS BY AARON CURRY
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MARCEL BROODTHAERS: MAJOR WORKS
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SUMMER READING
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Thomas Houseago: The Moon and the Stars and the Sun
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THOMAS HOUSEAGO: THE MOON AND THE STARS AND THE SUN
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Thomas Houseago and Aaron Curry
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Model Modernist (Felix Vallotton)
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Paintings of Felix Vallotton
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Georg Baselitz: Retrospective
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PAINTINGS OF FÉLIX VALLOTTON
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Aaron Curry
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Hurvin Anderson at the Studio Museum Harlem, New York
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Aaron Curry
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On Painterliness...
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Marcel Broodthaers: Take The Risk With Me
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Close Encounters in the Third Dimension: Thomas Houseago and Aaron Curry
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Thomas Houseago & Aaron Curry
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JÖRG IMMENDORFF: MAOIST PAINTINGS - THE EARLY SEVENTIES
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Great Dane: Per Kirkeby
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A.R. PENCK: NEW SYSTEM PAINTINGS
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Golddust is My Ex-Libris
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Per Kirkeby at Tate Modern
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JAMES LEE BYARS: GOLDDUST IS MY EX-LIBRIS
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Per Kirkeby: This 'Desert Island' is a Danish Artist's Muse
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Per Kirkeby: Northern Exposure
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Mad Worlds: Sigmar Polke and Harvey Kurtzman. Soaking up the pleasures of two kindred spirits
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Matthew Brannon, Marcel Broodthaers, James Lee Byars, William E. Jones
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Wanderlust: Marfa, Texas
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Per Kirkeby: Polymath of Our Time
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Glasgow: Thomas Houseago, Dieter Roth, and Andre Thomkins
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Per Kirkeby: I'm Not an Intellectual!
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Lens Crafter
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Sigmar Polke's "Lens Paintings" at Michael Werner
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Sigmar Polke: Lens Paintings
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Sigmar Polke: Lens Paintings
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In Defense of Acephalia
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Peter Doig: Michael Werner Gallery / Gavin Brown's enterprise
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James Lee Byars: Milton Keynes
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Art Review: Aaron Curry: The Color Out of Space
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Morgan Falconer on Aaron Curry at Michael Werner, New York
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SIGMAR POLKE: LENS PAINTINGS
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Peter Doig: Gavin Brown's Enterprise/Michael Werner Gallery
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Pierre Bonnard and Peter Doig
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Thomas Houseago
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Aaron Curry
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AARON CURRY: THE COLOUR OUT OF SPACE
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Peter Doig at Michael Werner Gallery & Gavin Brown's Enterprise, New York
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Critic's Pick: Peter Doig
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Peter Doig
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Morgan Falconer on Peter Doig at Gavin Brown's Enterprise and Michael Werner, New York
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Series Drawings at Michael Werner Gallery, New York
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PETER DOIG: NEW PAINTINGS
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Queasily Human: Aaron Curry remakes the figure
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Aaron Curry: Archaeology of the Future
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Peter Doig
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Per Kirkeby at Michael Werner Gallery
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A.R. PENCK: PAINTINGS FROM THE EIGHTIES
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BLACK SWAN: A SCULPTURE SHOW
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SERIES DRAWINGS
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Marcel Broodthaers - Arts Club of Chicago
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FREDERICK KIESLER: SCULPTURE
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Esprit Decor
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Peter Doig: Modern Romance
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Many-colored Glass: Gerhard Richter and Sigmar Polke do windows.
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Ernst Ludwig Kirchner: "The Unexpected New: Late Paintings"
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Glimpses Beyond the Edge: Peter Doig
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Sigmar Polke Elected Member of the American Academy of Arts and Sciences
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THE UNEXPECTED NEW: LATE PAINTINGS OF ERNST LUDWIG KIRCHNER
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Peter Doig Awarded Wolfgang Hahn Prize
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Life in Film, by Peter Doig
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Peter Doig: Tate Britain
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Peter Doig: Landscape As Seen By A Visionary
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Old Doig with New Tricks
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EUGÈNE LEROY
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JAMES LEE BYARS: FIVE POINTS MAKE A MAN
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Looking Back: Marcel Broodthaers
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The Painting of Modern Life
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Per Kirkeby
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Per Kirkeby: Natural Disorder
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PER KIRKEBY: NEW PAINTINGS
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AARON CURRY: NEW WORKS
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Peter Doig: Back to the Figure
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Sigmar Polke: Cosmic Rays
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Peter Doig and Chris Ofili
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Baselitz: 'Art is visceral and vulgar - it's an eruption'
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A.R. PENCK: PAINTINGS FROM THE SIXTIES
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Jörg Immendorff: Fertile Ground
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Don Van Vliet: Boom times, bad times
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Marcel Broodthaers: Décor: A Conquest
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DÉCOR: A CONQUEST by MARCEL BROODTHAERS
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Sigmar Polke: Pax Americana in the Serene Republic
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Art in the Present Tense: Politics, Loss and Beauty
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Openings: Aaron Curry
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Jörg Immendorff, 61, Painter With Provocative Themes, Dies
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Sigmar Polke: Inscrutable Master of the Unexpected
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DON VAN VLIET: PAINTINGS
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Per Kirkeby: A Reconceived 'Romeo and Juliet'
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Markus Lüpertz: Tents, Early Dithyrambs
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Don Van Vliet
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Sigmar Polke at Michael Werner
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MARKUS LÜPERTZ: TENTS - EARLY DITHYRAMBS
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JÖRG IMMENDORFF: NEW PAINTINGS
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Peter Doig: Dream Catcher
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Sigmar Polke: Studies in Amber
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Polke - Bernstein - Amber
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POLKE - BERNSTEIN - AMBER
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James Lee Byars: Mary Boone, Perry Rubenstein, Michael Werner
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PENCK AND BASELITZ FROM BEYELER
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James Lee Byars: Mary Boone, Perry Rubenstein, Michael Werner
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BLACK AND WHITE: DRAWINGS FOR SUMMER
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Art in Review: James Lee Byars
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JAMES LEE BYARS: THE REST IS SILENCE
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Francis Picabia: Art in Review
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FRANCIS PICABIA: WORKS ON PAPER 1901-1951
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Art in Review: Yves Klein
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YVES KLEIN: FIRE PAINTINGS
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Markus Lüpertz at Michael Werner
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PER KIRKEBY: RECENT WORKS ON MASONITE
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WORKS ON PAPER
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A.R. Penck at Michael Werner
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Art in Review: Ernst Ludwig Kirchner
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MARKUS LÜPERTZ: NEW PAINTINGS AND DRAWINGS
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ERNST LUDWIG KIRCHNER: DRAWINGS
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Art Review: Ernst Ludwig Kirchner
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James Lee Byars: Whitney Museum of Art
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JÖRG IMMENDORFF: NEW PAINTINGS
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JÖRG IMMENDORFF: NEW SCULPTURE
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Correspondences: Drawings Past and Present
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Jörg Immendorff at Goldie Paley Gallery, Moore College of Art & Design
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A.R. PENCK: CONSTRUCTIONS
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Eugène Leroy: Large Watercolors
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EUGÈNE LEROY: LARGE WATERCOLORS
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MARKUS LÜPERTZ: ABOUT THE THREE GRACES
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GEORG BASELITZ: RECENT PAINTINGS
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Peter Doig: Arts Club of Chicago - survey of the artist's paintings and works on paper made since 1991
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PIERO MANZONI: ACHROMES
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Peter Doig at Michael Werner
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MARCEL BROODTHAERS: OBJECTS AND WORKS ON PAPER
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Georg Baselitz talks to Pamela Kort
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JANNIS KOUNELLIS: WORKS ON PAPER
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JAMES LEE BYARS: THE MOON BOOKS: ABOVE AND BELOW
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PETER DOIG: WORKS ON PAPER
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A.R. Penck at Michael Werner
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A.R. PENCK: RECENT PAINTINGS
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Georg Baselitz at Michael Werner
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EUGÈNE LEROY: NUDES
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A.R. PENCK: TM WORKS ON PAPER
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Per Kirkeby at Michael Werner
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GEORG BASELITZ: TWO SCULPTURES AND WATERCOLORS
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PER KIRKEBY: RECENT PAINTINGS
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OTTO FREUNDLICH: MONUMENTAL SCULPTURES
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DON VAN VLIET: PAINTINGS FROM THE EIGHTIES
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JEAN FAUTRIER: NUDES
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Jörg Immendorff: German Artist
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JEAN DUBUFFET: LATE WORKS
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JÖRG IMMENDORFF: NEW PAINTINGS
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PER KIRKEBY MONOTYPES AND ANCIENT SOUTH ARABIAN ALABASTER HEADS
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HENRI MICHAUX: WORKS ON PAPER
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Francis Picabia at Michael Werner
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JAMES LEE BYARS: THE POETIC CONCEIT AND OTHER BLACK WORKS
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FRANCIS PICABIA: LATE PAINTINGS
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Georg Baselitz: Woodblock Prints from the Sixties
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James Lee Byars: Two Sculptures
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Joseph Beuys: "Doppelaggregat and Bergkönig, Two Major Sculptures in Bronze and Works on Paper"
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Sigmar Polke: C-Drawings
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James Lee Byars at Michael Werner
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Looking Beneath the Surfaces of Eugène Leroy
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Weird places, Strange folk: The ghostly memories and references of Peter Doig
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The Gallery
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